Awards Eligibility 2018

I spent 2018 beating up more manuscripts than ever before, and so as a result I have one publication to boast—my first novella, “Freezing Rain, a Chance of Falling,” which came out in the July/August issue of The Magazine of Fantasy and Science Fiction. The story can be read by SFWA members by checking the links here. If you’re reading for the Hugo, and you want an electronic copy, drop me a note on Twitter, where I’m @lxbeckett or at the same name on Gmail.

“Freezing Rain, A Chance of Falling” is the story of Drow Whiting, who gets into horrific trouble when his social media accounts go into a nosedive, and who therefore makes some Very Bad Decisions. He also appears in my upcoming September novel, Gamechanger, which will be out in less than a year from Tor Books.

Dreams come true! I sold a novella to @ccfinlay at Magazine of F&SF – @FandSF

I am thrilled, so thrilled, to finally announce my first sale to C.C. Finlay at the Magazine of Fantasy and Science Fiction. “Freezing Rain, a Chance of Falling” is a novella set in what I sometimes like to call my Nice Things universe. It’s also a prequel, of sorts, to a Nice Things novel currently titled Goldilocks Conditions. (I’ll tell you a little more about that in the not too distant future.)

I have dreamed of selling a story to F&SF for as long as I can remember, which is a damned long time… the more so, because this particular novella had a long journey to the finish line. Charlie requested first an expansion and then an extended rewrite before we both agreed it was the best story it could possibly be. It is now slated to appear in the upcoming July/August issue of the magazine.

“Freezing Rain, a Chance of Falling” is about a talented young music journalist, Drow Whiting, who gambles all his social capital on what turns out to be a gloriously ill-judged expose. Idealistic, ambitious, and more naive than he cares to admit, Drow is ruined when he covers a diva musician’s plagiarism scam, and her reaction blows up into a full-bore online shame cascade. Soon Drow is a pariah, ready to do anything to recover his reputation, not to mention his career and his rock-bottom credit score. But desperation is like blood in the water, and Drow finds himself in bed with an elderly performance artist, an ancient GenX crone who’s offering to sponsor his investigation into a story everyone says he should leave alone, a first-person look into Toronto’s recreational chemotherapy dens.

LexIcon: Jigsaw Narratives

Each tiny scene in a jigsaw narrative is is a puzzle piece, freestanding in its own right, yet intended to interlock with the others to evoke a whole picture of an unfolding story. Readers are invited to fill in the spaces between the missing pieces, bringing the full image into focus.

Jigsaw narratives are immensely gratifying to readers when it’s comparatively easy to put the picture together; it lets them feel like they are not only at play with the author, but winning. The drawback comes if the picture is too elusive, when the connections are hard to find. The leaves the reader feeling left out, thwarted, and cheated.

Jigsaw stories often work well when they’re stretching a smaller story over a long stretch of years—imagine seven pivotal moments from a fifty year space voyage—or when their scenic pieces imply a much longer story. Sometimes when they fail, it’s because the story in question really wants to be a novel, and the puzzle pieces on the table are less a complete story and more a suggested outline for the longer work.