More of my springtime writing has found a place to roost. This time it’s a novelette called “Cat Ladies,” and as it says above, it’s going to appear in the Magazine of Fantasy and Science Fiction in 2021.
The Clawback is a tough period, riven by human-made disasters, but this is in many ways one of its more peaceful stories, set among a community of lesbians tasked with dismantling Calgary’s suburbs. It has beekeepers and policing robots and sexy sculptresses and–because it’s nominally a Western–a hard drinkin’ garrulous sheriff. But also, because what even is a Western, it has the displaced sister of a pop music sensation.
I’m so happy the story has found a home at F&SF, and pleased and grateful to have sold one last story to Charlie Finlay before he hands over the reins to Sheree Renée Thomas, who is going to be an amazing editor!
November is always the most difficult month for me, creatively, and 2020 has been double November with a side of sad salad. I am researching a few new story ideas and keeping up with my various cheery Twitter projects, like the weather reports, but that aside it has been a month of much teaching and little story.
But one of the great things about writing is its life cycle. Even as you’re wrangling new ideas or struggling with rewrites, work you did months earlier comes back from the past to joybomb you. And so I’m delighted to announce that Sheila Williams at Asimov’s Science Fiction has bought my novelette “The Hazmat Sisters.”
Like my Clarkesworld novelette “The Immolation of Kev Magee,” Hazmat takes place during the Clawback, the period after my Setback novella that kicked off this universe for me. It falls well before the events of my Bounceback novels Gamechanger and Dealbreaker.
The Clawback is a tough period and this is a tough story, about family and safety and pandemics and war and being a good neighbor, and fighting with your sisters for a shot at the shower. But it’s also about cute girls with pluck, determination and pet robots, because that’s fun!
I’m so happy the story has found a home at Asimovs. It’s my first sale to Sheila and I am chuffed!
This summer I was enormously pleased to have a novelette published (and recorded in audio format!) up at Clarkesworld. “The Immolation of Kev Magee” is set in the Clawback, the devastating period of social and environmental disruption before the events of Gamechanger. It features one Gamechanger character if you look very closely, but is otherwise a standalone story about three refugee kids from Detroit trying to chase a dream or two, all while fighting to stay afloat in a very uncertain and dangerous world.
I am writing about the Clawback in short pieces primarily because it is, in my Nice Things universe, the worst period. I don’t want to take you all there–or me either!–for the length of a novel. There are more Clawback stories to come. But if that’s not your thing and you’d rather see more Bounceback era fiction, Dealbreaker continues the adventures of many of the characters from Gamechanger, Frankie Barnes in particular, and is already available for preorder everywhere books can be found. Here’s the beautiful beautiful cover.
I’ve been quiet in this space lately, which is probably a surprise to nobody at all. The pandemic and lockdown have affected my writing practice as they’ve affected… well, everyone and everything…
I hope as you read this you’re safe and healthy and finding ways to fill the hours and take care of yourself and others. Be gentle with yourselves, and on those around you.
I have been incredibly fortunate. I had a lot of works in progress to revise, pieces that were mostly done, when things went to shit. This week, for example, I turned in the final edits on my novel Dealbreaker. The book is the a sequel to my September 2019 novel Gamechanger, and it takes place about 20 years later, following the adventures of a now-grown Frankie Barnes and her various adopted siblings and spouses as the population of Earth pushes out into the solar system.
Another of the things I finished was a novelette called “The Immolation of Kev MaGee” and I’m so amazingly pleased to announce that I have now sold this piece to Clarkesworld Magazine! This also takes place in what I sometimes refer to as the Nice Things Universe, but it’s set during a thoroughly terrible period known as the Clawback.
Readers familiar with Gamechanger may remember that in this particular near future, our present day, pandemic and all, is part of a period called the Setback. This era is a downward spiral, where many of the world’s human-build systems collapse. Capitalism fails, deadly pathogens emerge, and our network of nation-states begins to crumble under the crush of climate change. Then an even more terrible transition, the Clawback, occurs as the bulk of the world’s population decides it has enough and begins the hard work of reorganizing, basically, Everything.
By the time Gamechanger begins, capitalism has been seriously upheaved, international cooperation has been set into place to allow massive climate remediation, everyone has a universal standard of living, and the police have been all but written out of existence—though at a massive cost to privacy. Things seem to be improving, and the characters in that book have a lot of reason to be optimistic. Humanity goes from Clawback to Bounceback.
The novelette for Clarkesworld, on the other hand, is one of a trio set during the trashiest of trashfire days of the Clawback, a period where the U.S. is plunged into multiple localized civil wars and corporate oligarchs are attempting ever-more-bizarre ways to preserve their fortunes and privileges. “The Immolation of Kev MaGee” is the first of these novelettes to find a home and I’m incredibly happy about it. Clarkesworld has been on my bucket list for some time!
(I would never choose to live through a real world Setback or Clawback, if I had a choice! But I am trying with these stories to imagine optimistic but credible possibilities for the human race to shoot the rapids of looming disaster in this century, so we can all sail through to a better future. I believe we have to imagine good outcomes to achieve them.
Manwhile, this pandemic is teaching us all many many lessons we weren’t looking for, both about our potential to work together as a global population to stop a threat—and the horrors on offer when we fail. Cooperation is something we need to level at, desperately. It’s riveting and saddening and scary and inspiring to see us attempt it.
As a science-fiction writer my stock in trade is imagining world-changing events exactly like the ones unfolding around us now. It is a very strange kind of privilege to be hunkered down in my home, watching Setbacky events unfolding in realtime, observing it and trying to write about parallel events and better outcomes.
She was in a chic Parisian neighborhood with a view of the Eiffel Tower, waiting on a meeting. When @Interpol showed up in her pop-in conference room, she’d been sending pings to a no-show client for the better part of an hour.
Luce, you’re late. Luce, it’s time for our face-to-face. Where are you?
The whole of that police raid is up for the reading. You’ll have to get the book to run back to the prologue, where I basically run multiple tornadoes over the remains of West Edmonton Mall. Never let it be said that writers aren’t malicious.
Between giving you this taste and launching the book September 17th, I will be attending and speaking at the World Science Fiction Convention in Dublin, Ireland. I’ll post my official schedule soon, but the current plan is for me to read, do a coffeeklatch, give my terraforming talk, and even talk about getting more science fiction theater projects into the world. If you’re there, I’ll hope to see you!
Gamechanger will be out in the world on September 17th, 69 short days from now, and to say I am excited might be a bit like saying the surface of the sun is a bit toasty.
You can all expect this space, and my fabulous newsletter, The Lexicon to get ever more Gamechange-y. There will be excerpts, Goodreads Giveaways, bragging about reviews (I already told you Publishers’ Weekly called it a delightful pinball machine of a book and compared it to Snow Crash, right?)
But before we get there, I want to do the thing where I ask for pre-orders. If you’re gonna buy Gamechanger, and you’re inclined to get the book at one of the following vendors, I’d appreciate it so much if you ordered early and … well, order often if you want to give it to deserving readers for the holiday season.
If you are curious about why this pre-order thing is important, here’s author Yashar Ali in a thread explaining it all.
Gamechanger imagines our world just over a century from now, after we’ve really begun grappling with carbon levels and climate change. It’s a book where we look at the grandchildren of Generation Z and the future the youngs of today and tomorrow are building. As a result, there will also be sciencey articles coming your way from me, both about technologies we’re developing to address the problem and how they might be (or are already being!) deployed. I’ll post about those too, as they appear.
Love me. Order me. Use me and reviews me. Tweet me sweetly. I appreciate it all so much.
I won’t go on and on–I bragged when I initially learned the novella had been chosen, but I will point out that Best SF also contains novellas and stories by the likes of Kelly Robson, Madeline Ashby, Yoon Ha Lee, Sofia Samatar, Daryl Gregory, John Chu, Ken Liu, Elizabeth Bear and so many other awesome writers. It’s going to make for great summer reading–I’m on the edge of my seat, waiting on a contributor’s copy so I can dig in!
Stunning, right? It captures exactly what I want for this fictional future—a world still recognizably the one we’re living in now, and yet changed, mostly (though not all) for the better.
(The Gamechanger outcome is actually what I want for our actual future, as far as that goes.)
Cover reveals often happen when a book becomes available for pre-order, and mine is! Powells and iTunes don’t have pages yet, but for those of you who dollar-vote at any of the following retailers, here are links. .